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Photo
Credit: David Hartge
"The sound
is from the heart, the chords insistent, the words pouring from somewhere deep
inside. The words: they're lyrical, poetic, flowing...the expression of a life's
worth of living and loving and working and traveling."
Clare Lopez |
HawkEye Vision
| 2003

Photo
Credit: David Hartge
"His music reflects elements of folk
and blues with lyrics bordering on poetry.
His masterful guitar playing is infectious, upbeat and soul warming from the
heart."
Hannah Politis |
Beans In the Bellfry
| 2005

Photo
Credit: Jim
Politis
Tomy Wright,
performing songwriter based in the National Capital area, is a member of the
Songwriters Association of Washington , the
Washington Area Music Association, and
Focus.
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Biographical Information
Tomy
Wright's Musical Inspirations:
Influenced by multiple musical styles, in particular Boston's
60/70's folk scene, Tomy Wright embraces the contemporary folk genre
as his vehicle of artistic expression. Having served 30 years in
the military, he musically and professionally maintained "a foot in
both camps," with concurrent, long-term publication subscriptions to
Rolling Stone and The Army Times.
A world traveler and recent Marylander, Tomy penned what the
Baltimore Sun called "a loving ode to a slow road" supporting
successful grassroots efforts to ensure Frederick County's gravel
road legacy. He also achieved national airplay on
NPR's Car Talk (show #0321) with his
"I'm Gonna Get Me a Car."
Tomy developed his
musical appreciation early on from his parents who shared their love
of a wide range of music from Puchini, George and Ira Gershwin to
Lerner and Lowe, Ray Charles to Jim Nabors, the Ink Spots to Mahalia
Jackson, Harry Belafonte to Lawrence Welk. His mother had him play
in a rhythm band in Kindergarten. His first instrument was the
violin, he played for 8 years. They all regularly attend the Boston
Symphony and Pops and on Saturday mornings his mom would take him to
the Youth Symphony.
He remembers receiving and playing a Christmas gift LP of Country
Pop classics of Glenn Campbell, Rodger Miller, and Eddie Arnold et
al, over and over; and also hiding Meet the Beatles under his bed,
having spent his haircut money on that purchase. He picked up the
drums on his own wanting to be Ringo Starr and jammed along his very
different record collection of Beatles, Yardbirds, Rolling Stones,
the Jimi Hendrix Experience, Big Brother and the Holding Company,
Cream, Deep Purple, Led Zeppelin, The Who, and Johnny Winter (just
to name a few).
So in the late 60's was it any wonder when his mom said, "He loves
those dirty blues. We don't listen to that music!" hoping for a
different outcome. But didn't they discourage him, they even
encouraged his musical friends to come and play in the basement. At
least they knew where he was and who he was jamming with. And we're
thankful!
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